Reconsidering Modern Art Theory：　Reading Richard Shiff's “Digital Experience in Modern Art”

2008-05-14T05:20:09Z

2008-05-14T05:20:09Z

2003-03-01

Richard Shiff’s “Digital Experience in Modern Art” first appeared in　Les Cahiers (No.66,Winter 1998) as the text of a lecture he delivered in Paris. Later, he was invited to Japan by the Japan Foundation and　delivered a similar talk at the Kyoto Institute of Technology on September 22, 2001. The text I refer to below is a different version　that was rewritten for a Japanese audience. Along with the Japanese　translation, I have included a series of related notes on the topic.　In short, Shiff’s text is a theory of modern art for the　post-post-modern era. In it, he touches on several of basic disputes　related to modern art that have arisen between the end of WWⅡ and　today, To a few of Shiff’s main points, I have supplemented my own　comments, tried to place them in a context and attempted to provide　additional thoughts on modern art theory.

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京都工芸繊維大学　工芸学部研究報告　第５１巻　人文(2002) pp.67-76

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